Behringer SF300 Guitar Distortion Effect Pedal
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Product Feature
- Recreate the whole variety of famous fuzz tones of the '60s and '70s
- 3 different sound modes for classic fuzz, grunge and gain boost
- Blue status LED for effect on/off and battery check
- Dedicated Gain, 2-band EQ and Level controls for awesome sound shaping
- Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
Product Description
BEHRINGER SUPER FUZZ SF300
3-Mode Fuzz Distortion Effects Pedal
- Recreate the whole variety of famous fuzz tones of the '60s and '70s
- This BEHRINGER product has been designed to compete head to head with leading products on the market
- 3 different sound modes for classic fuzz, grunge and gain boost
- Dedicated Gain, 2-band EQ and Level controls for awesome sound shaping
- Blue status LED for effect on/off and battery check
- Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
- First-class electronic On/Off switch for highest signal integrity in bypass mode
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
If the raw, Neanderthal power of history's nastiest stomp boxes inspires you to plug in, turn on and rock out, it's time to expand your mind with the SUPER FUZZ SF300.
Three Modes of Operation
With the SF300's three unique sound modes to choose from, you can: channel the grittiest tones of underground proto-punk legends; update your sound into a crunchy industrial cacophony; or opt for a pure gain boost that will make your amp spew white-hot lava.
Easy to Use
Dedicated LEVEL, GAIN, TREBLE and BASS dials provide tons of tone-shaping options. A blue LED tells you when this wild thing is activated, and a top-quality on/off switch maintains optimum signal integrity in bypass mode. You can power it with a PSU-SB DC power supply (not included) or a 9 V battery.
Value
Whether your sound is due for a psychotic overhaul, or you just want to cause some inter-dimensional mayhem, reach for your Super Fuzz SF300. Three stomps in one - a deal that's hard to beat! Available now at your BEHRINGER dealer.
Behringer SF300 Guitar Distortion Effect Pedal Review
I've never really owned a fuzz pedal before, but have tried a few. Out of most I've tried, I've come across the Big Muff the most. It didn't really strike me as a good flavor of distortion to have until recently. Even my Boss Hyper Metal HM-3 is considered by some to be a fuzz pedal by some folks, but it isn't 100% there, certainly.My budget being what is it right now, I didn't want to spend a lot for a fuzz pedal. There are loads of fuzzes available for $100 or less, but this model is essentially three pedals in one. That's what attracted me to it, along with a few reviews in YouTube. Not to mention the bargain basement price.
The three modes can be accessed via a switch on the right side of this pedal. The two fuzz modes (in my view) don't perfectly emulate any one pedal, but are extremely useful nonetheless.
FUZZ 1 is a creamy, midrange filled sound. It doesn't get too bright, until the TREBLE knob is pushed past 3 o' clock. This fuzz could make even anemic single coils sound rich and thick. With humbuckers, it's actually quite clean in silences until the gain is past about 2 o' clock. I love the way this fuzz sputters when notes and chords decay. It seems to work best with power chords (root-5th note), and single notes. If you play complex chords, you'll hardly notice them; if you try to play them, use as little gain as possible.
FUZZ 2 is more in line with the Big Muff. It has a scooped midrange, which makes things sound dark and sinister. With the increased bass and treble, complex chords work slightly better here. This fuzz also has more sustain than FUZZ 1, so it buzzes longer. This makes it great to use alongside a guitarist that's using a looser sounding high gain tone that isn't necessarily fuzzy. (Head era KoRn comes to mind for me...)
The third option is ultimately what made my purchase worthwhile. BOOST. This mode is a clean boost with a flat midrange level. It actually distorts a little, but that's only after cranking the EQ and GAIN knobs all the way up. The resulting buzz does sound a bit like a slightly overdriven non-master volume amp (or a master volume's clean channel fully cranked). Still, throughout most of its gain and volume range, BOOST does a good job of staying clean. This would be great for pushing an amp into overdrive, or extending the gain of a heavily distorted sound. It might also be useful for a tiny volume boost for cleaner guitar tones, or just to maintain a stronger signal for a path full of effects.
Overall, I like the tones this pedal spits out. I've only had it a few hours, but I love what I'm hearing so far. The build is similar to the other Behringer pedals I have, a NR100 noise reducer, and a TO800, their overdrive that sounds like a Tube Screamer. With this more recent pedal (built on June of 2010), the knobs seem slightly sturdier than before. I'd still not abuse them too much, though. As always, really abusive stompers might want to look elsewhere (or find a way to put the guts inside a custom built tank).
You can't go wrong with the bright blue LED, either! Makes it easy to see on a dark stage, along with the dayglo orange pedal color.
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